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Bethlehem artist defends presence of Palestinian keffiyeh in Nativity scene after backlash

 

Pope Francis stops for a brief prayer in front of the Bethlehem Nativity in the Vatican's Paul VI Hall during its presentation and a meeting with some of the people involved in its creation on Dec. 7, 2024. | Credit: Vatican Media

By Hannah Brockhaus

Vatican City, Dec 13, 2024 / 12:50 pm

A Nativity scene made by artisans from Bethlehem was the source of controversy this week for including a Palestinian keffiyeh with the child Jesus in the manger — but according to the project’s organizer, the headscarf was a last-minute decision meant only to represent Palestinians.

The keffiyeh was visible during the presentation of the Bethlehem Nativity to Pope Francis in the Vatican’s Paul VI Hall on Dec. 7. By Dec. 11, four days later, the headscarf, manger, and Jesus sculpture had been removed from the scene without explanation.

Amid the Israel-Hamas war, the black-and-white checkered keffiyeh has become a symbol for the Palestinian cause. But Johny Andonia, a 39-year-old artist from Bethlehem who led the project, said it is just a symbol to represent or show the “existence” of Palestinians.

Matteo Bruni, director of the Holy See Press Office, told CNA the Vatican follows the tradition of placing the infant Jesus in the Nativity scene on the night of Christmas Eve. It is typical for the whole scene to be first presented to the pope before the Jesus statue is then removed, leaving behind the empty manger until the official start of Christmas. 

Speaking to CNA by phone from Cyprus, where he has an art residency until May, Andonia said he did not expect the scale of the reaction to the keffiyeh, which he also signed off on, after it was approved by people at the Vatican during the Nativity’s installation on Dec. 5.

Johny Andonia. Credit: Beata Michalska

“It came about in a spontaneous way, actually, because we learned that the child baby Jesus has to be covered or even absent until the 24th of December, and [the on-the-ground coordinator] suggested to cover it with a keffiyeh,” the artist said on Dec. 13.

 

“And they said no, no, not to cover him. And then he asked, can I put it then under [the child Jesus] and the people … in charge at that time accepted laying the keffiyeh under the baby Jesus, and this is how it came about.”

 

Andonia said he does not agree with commentary from some quarters that the keffiyeh indicates violence or the eradication of others. “It’s only about recognition,” he said. “This keffiyeh represents the people who had presented the Nativity scene.” Read More

 

 

 
 
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